|
Allegory:
A figurative work in which a surface narrative carries a secondary, symbolic or metaphorical meaning. In The Faerie Queene, for example, Red Cross Knight is a heroic knight in the literal narrative, but also a figure representing Everyman in the Christian journey. Many works contain allegories or are allegorical in part, but not many are entirely allegorical.
Apologue:
A moral fable, usually featuring personified animals or inanimate objects which act like people to allow the author to comment on the human condition. Often, the apologue highlights the irrationality of mankind. The beast fable, and the fables of Aesop are examples. Some critics have called Samuel Johnson's Rasselas an apologue rather than a novel because it is more concerned with moral philosophy than with character or plot. Examples:
- George Orwell, Animal Farm
- Rudyard Kipling, The Jungle Book
Blank Verse.
Unrhymed iambic pentameter.
Burlesque.
A work designed to ridicule a style, literary form, or subject matter either by treating the exalted in a trivial way or by discussing the trivial in exalted terms (that is, with mock dignity). Burlesque concentrates on derisive imitation, usually in exaggerated terms. Literary genres (like the tragic drama) can be burlesqued, as can styles of sculpture, philosophical movements, schools of art, and so forth.
Conceit:
An elaborate, usually intellectually ingenious poetic comparison or image, such as an analogy or metaphor in which, say a beloved is compared to a ship, planet, etc. The comparison may be brief or extended.
Detective novel.
A novel focusing on the solving of a crime, often by a brilliant detective, and usually employing the elements of mystery and suspense. Examples:
- Sir Arthur Conan Doyle, The Hound of the Baskervilles
- Agatha Christie, Murder on the Orient Express
- Dorothy Sayers, Strong Poison
|
|