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Stesso: Same.
Strophic: A term used to describe a song in which all the stanzas of the text are sung to the same music. The opposite of through-composed.
Subdominant: The fourth degree of the major or minor scale. Also, the name of the triad built on the fourth degree of the scale, indicated by IV in a major key and by iv in a minor key.
Subito: Suddenly.
Submediant: The sixth degree of a major or minor scale. Also, the name of the triad built on the sixth degree of the scale, indicated by VI in a major key and by vi in a minor key.
Sul: On the.
Supertonic: The second degree of the major or minor scale. Also, the name of the triad built on the second degree of the scale, indicated by II in a major scale and iio in a minor scale.
Sur: On, over.
Suspension: The use of a nonharmonic tone to delay the resolution of a chord, frequently as it occurs in a cadence.
Svelto: Quick, light.
Syncopation: Accent on an unexpected beat.
Tempo: The rate of speed in a musical work.
Tempo primo: Return to the original tempo.
Teneramente: Tenderly.
Tenor clef: The C clef falling on the fourth line of the staff.
Tenuto, ten: Hold or sustain a note longer than the indicated value, usually not as long a duration as the fermata.
Ternary form: Three-part form in which the middle section is different from the other sections. Indicated by ABA.
Terraced dynamics: The Baroque style of using sudden changes in dynamic levels, as opposed to gradual increase and decrease in volume.
Tertian harmony: A term used to describe music based on chords arranged in intervals of thirds.
Tessitura: The general pitch range of a vocal part.
Texture: The term used to describe the way in which melodic lines are combined, either with or without accompaniment. Types include monophonic, homophonic, and polyphonic, or contrapuntal.
Theme: The musical subject of a piece (usually a melody), as in sonata form or a fugue. An extramusical concept behind a piece.
Theme and variations: A statement of musical subject followed by restatements in different guises.
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